What are three songs that use the descending bass?
Table of Contents
What are three songs that use the descending bass?
Musical works
- ”My Funny Valentine” by Rodgers and Hart.
- “Any Time at All” by The Beatles (the bass descends C, G/B bass, A, f min/Ab bass, C/G bass)
- “Girl” by The Beatles (the bass descends C, e min/B bass, F/A bass, G7)
- “I’ll Be Back” by The Beatles (the bass descends g min, Bb/F bass, Eb, D)
What songs use the chromatic scale?
Chromatic comes from chroma, Greek for “color”….Top 10 Chromatic Riffs
- Converge – “You Fail Me”
- Dom & Optical – “Rage Roll”
- Black Flag – “Rise Above”
- Cave In – “Juggernaut”
- Megadeth – “Five Magics”
- Unearthly Trance – “God Is a Beast”
- Led Zeppelin – “Dazed and Confused”
- Nikolai Rimsky-Korsakov – “Flight of the Bumblebee”
What is a descending chromatic line?
🔗 A common musical pattern is the descending chromatic bass line ( – –♭ – –♭ – ). Composers harmonize descending chromatic bass lines with all manner of harmonies, including secondary chords, borrowed chords, augmented sixth chords, and rarely-used diatonic chords. Below are some examples from the past four centuries.
What is a chromatic scale example?
Unlike most music scales which have only one correct way to notate them, you can write a chromatic scale in a number of different ways. For example, you could start a chromatic scale with the notes C, C sharp and D: But you could also notate it with the notes C, Db followed by D natural: What is this?
What is the descending bass?
A bass line is deemed to be descending if it conforms to one of three patterns: diatonic, chromatic, and a combination (diatonic/chromatic). For example, a chromatically descending bass line is one that moves downward through a scale comprised of only half steps.
What is the ground bass aria?
Dido’s Lament is the aria “When I am laid in earth” from the opera Dido and Aeneas by Henry Purcell (libretto by Nahum Tate). It is included in many classical music textbooks on account of its exemplary use of the passus duriusculus in the ground bass.
How do you use the chromatic scale?
To play chromatic scales on a piano keyboard, you must play all the white keys and all the black keys in order, one after another. From the first note to the last note, you simply move up the scale in semitones, as every single note is one half-step away from the note before it.
How do you write a chromatic scale in music?
The “Rules in Stone” for writing any Chromatic Scale are:
- The Chromatic Scale must start and end on the same Tonic note.
- Each letter name is used at least once.
- A letter name may be used twice in a row, but never more than twice in a row.
- There will always be 5 single notes – 5 letter names that are only used once.
What is the chromatic scale in music?
Chromatic scales are the scales that includes all twelve tones in sequential order: A, A#/Bb, B, C, C#/Db, D, D#/Eb, E, F, F#/Gb, G, and G#/Ab. Chromatic scales can start from any of the twelve tones, so there are twelve different iterations or inversions of the scale.
How do you write a descending chromatic scale?
Using this method, the descending chromatic scale will use the same notes as its ascending scale. Start with a high Bb, put F in the middle, then finish on a low Bb. Fill in the pairs of notes between these cornerstones with the appropriate accidentals.
How does the chromatic scale work?
Definition. The chromatic scale or twelve-tone scale is a musical scale with twelve pitches, each a semitone, also known as a half-step, above or below its adjacent pitches. As a result, in 12-tone equal temperament (the most common tuning in Western music), the chromatic scale covers all 12 of the available pitches.
What are chromatic notes and how can they enhance my playing?
Chromatic notes are typical of blues style bass playing and adding these notes to dominant 7 chords can enhance your playing. There are actually two types of chromatic scales, although they both share the same notes.
What is the chromatic scale?
The chromatic scale is a scale made up of every one of the twelve notes from any note to its octave. In other words, it is a 12-note or dodecaphonic scale. You can also see it as a scale made up solely of semitones.
Is the descending-fifths sequence chromatic?
Example 2 shows the same descending-fifths sequence, this time with alternating secondary dominant chords. While the sequence contains chromatic chords (the secondary dominants), it is not a truly chromatic sequence because the overall trajectory of the sequence is still one that traverses the scale steps of a single key.
How can a chord sequence become a chromatic sequence?
It would become a chromatic sequence. The chords that initiate the sequence model and each successive copy contain altered scale degrees. The chords within the pattern are of the same quality and type as those within each successive copy of that pattern. The sequences derive from those that divide the octave equally.