Q&A

What Byrds songs did Gene Clark write?

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What Byrds songs did Gene Clark write?

Clark wrote or co-wrote many of the Byrds’ best-known originals from their first three albums, including “I’ll Feel a Whole Lot Better”, “Set You Free This Time”, “Here Without You”, “You Won’t Have to Cry”, “If You’re Gone”, “The World Turns All Around Her”, “She Don’t Care About Time” and “Eight Miles High”.

Who wrote younger than yesterday?

Younger Than Yesterday Review Tambourine Man. David Crosby, Roger McGuinn, and especially Chris Hillman come into their own as songwriters on an eclectic but focused set blending folk-rock, psychedelia, and early country-rock.

Did the Beach Boys make their own music?

From late 1976 to early 1977, Brian made sporadic public appearances and produced the band’s next album, The Beach Boys Love You, a collection of 14 songs mostly written, arranged and produced alone.

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Is Gene Clark still alive?

Deceased (1944–1991)
Gene Clark/Living or Deceased

Why did Gene Clark leave the Byrds?

Clark was the Byrds’ dominant songwriter between 1964 and early 1966, penning most of the band’s best-known originals from this period, including “I’ll Feel a Whole Lot Better”, “She Don’t Care About Time”, and “Set You Free This Time.” His departure was partly due to his fear of flying, which made it impossible for …

Who owns the right to the Beach Boys music?

Irving Azoff
Irving Azoff buys Beach Boys rights in what looks likely to be a $100m-plus deal. Irving Azoff’s Iconic Artists Group has acquired a controlling stake in the Beach Boys’ intellectual property, including the band’s sound recordings, brand, select musical compositions, and memorabilia.

Did the Beach Boys get their rights back?

The Beach Boys have sold the rights to their intellectual property, becoming the latest artist to hand over their copyright to another party. In recent months, the likes of Bob Dylan, Neil Young, Stevie Nicks and Lindsey Buckingham have all sold off the rights to their back catalogues.

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What was Joni Mitchell’s biggest commercial hit?

‘Help Me’ Mitchell’s biggest hit (it reached No. 7, her only Top 10 showing) is also one of her instantly likable songs, thanks to an impeccably played melody that splits the difference between soft rock and smooth jazz.